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	<title>cash - Media Movement Network</title>
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		<title>Cash Witus Pooh &#8211; Mistress</title>
		<link>https://mediamovement.net/cash-wit-pooh-mistress/</link>
					<comments>https://mediamovement.net/cash-wit-pooh-mistress/#respond</comments>
		
		<dc:creator><![CDATA[FOELITT]]></dc:creator>
		<pubDate>Tue, 24 Feb 2026 17:00:12 +0000</pubDate>
				<category><![CDATA[NEW MUSIC]]></category>
		<category><![CDATA[585]]></category>
		<category><![CDATA[585 dj drama]]></category>
		<category><![CDATA[cash]]></category>
		<category><![CDATA[rap]]></category>
		<category><![CDATA[trap]]></category>
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		<guid isPermaLink="false">https://mediamovement.net/?p=10575</guid>

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			<p>IG: Cashwitus</p>
<p>Funeral Muzik isn’t just a project, it’s a statement. With the co-sign and hosting presence of DJ Drama under the iconic Gangsta Grillz umbrella, Cashwitus Pooh steps into a darker, more calculated era of his artistry. The title alone sets the tone, this is music for burying doubt, dead weight, fake love, and the old versions of yourself. From the very first record, Pooh leans into that signature raspy delivery &amp; flow fans have been saying sounds like the “old him” the raw, unfiltered, and hunger driven. There’s a certain aggression in his cadence, but it’s controlled. It’s not reckless noise it’s intentional pressure. Every bar feels like it’s being delivered from a place of experience, not imagination. Streets, loyalty, betrayal, ambition, it’s all there, layered over hard hitting production that feels cinematic and grim. The funeral theme isn’t about mourning weakness, it’s about celebrating survival. The production matches that mood with piano progressions, heavy 808s, and dramatic transitions that feel fit for a candle lit sendoff. With DJ Drama’s ad-libs and authoritative voice cutting through tracks, the project carries that classic mixtape energy while still sounding modern and polished. Lyrically, Pooh positions himself as both teacher and product of his environment. There are moments where he sounds like he’s schooling the listener giving game, breaking down mentality, explaining what separates hustlers from spectators. Then there are tracks where you hear the pain behind the grind, scars from friendships turned sour, lessons learned the hard way, and the cost of leveling up. One of the strongest elements of Funeral Muzik is its cohesion. It doesn’t feel like a random playlist of trap records. It feels curated like every track plays a role in telling the story of evolution. The cover art reflects that perfectly, two men dressed in black, standing over a casket, symbolic of burying distractions and stepping into a colder, more focused version of self. This project reinforces why Cashwitus Pooh has maintained a loyal fanbase. He doesn’t chase trends, he sharpens his identity. The raspy voice, the street sermons, the unapologetic confidence, it’s all amplified here. And with the Gangsta Grillz stamp, Funeral Muzik feels like a milestone moment. A declaration that he’s not just participating in the culture, he’s carving his own lane within it. If this tape represents a funeral, it’s not for his career, it’s for every limitation placed on it.</p>

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</div><p>The post <a href="https://mediamovement.net/cash-wit-pooh-mistress/">Cash Witus Pooh – Mistress</a> first appeared on <a href="https://mediamovement.net">Media Movement Network</a>.</p>]]></content:encoded>
					
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